Surface hiss
Continuous fine surface noise.
VINYL CRACKLE MIXER / THE RECORD REMEMBERS
A speck of dust. A line through the grooves. Build a record, give it a past, and listen to what remains.
SYNTHETIC SOUND · LOCAL PROCESSING · FREE WAV EXPORT
Choose Etch, then draw on the record. Dust near the selected groove and scratches crossing it sound when they meet the needle.
WEB AUDIO · LOCAL PROCESSING
Choose a pressing and drop the needle. Begin with a low output level.
Place dust or draw a scratch. The mint ring marks the groove currently read by the needle.
Treat removable contamination, then compare A/B. Permanent scratches and wear remain.
Begin with a record from the archive. Four creative interpretations of equipment, materials, and the ways we care for them.
Creative models, not historical measurements. An older record is not necessarily a noisier record.
Waveforms below illustrate each sound’s character. The scope under the turntable shows the actual output. Return to the full mix after solo listening.
Continuous fine surface noise.
Tiny, irregular dust impulses.
Short, distinct impact sounds.
Low-frequency mechanical vibration.
Slow and fast pitch instability. Load music to hear it.
A steady mains-frequency tone.
Years do not equal damage. Explore a fictional handling and storage scenario, from a carefully kept record to a heavily used pressing.
A creative condition model, not a calendar.
Cleaning can remove loose contamination. It cannot undo a permanent scratch or rebuild a worn groove. Compare the same seeded noise at the same playback position.
Open an audio file you have permission to use. It stays in this browser; it is never uploaded by this tool. Choose a duration and export a 44.1kHz stereo WAV mix or noise alone.
Noise only · no music file needed to begin.
GROOVE ATLAS is an independent interactive sound experiment. The engine synthesizes noise and maps drawn defects to a selected circular groove. It is a simplified teaching model, not a physically exact spiral-groove simulator. Era presets are creative interpretations, not historical measurements. No music samples are bundled. The optional demo chord is synthesized locally. Noise is seeded for repeatability; it is not a recording of a particular record.
Loose contamination and surface defects can disturb stylus motion, producing short impulses. Continuous hiss, low-frequency rumble and electrical hum have different causes and should be adjusted separately.
No. This experiment reduces removable dust and static-related noise. Permanent scratches and groove wear remain. The buttons model relative changes; they are not instructions for a real cleaning product.
Slow and fast playback-speed variations modulate pitch. Load an audio file to hear this clearly; noise alone has no stable musical pitch.
Save the JSON project to preserve the seed, controls, defect positions, cleaning state and RPM. Import the same audio file separately. Choose a 12, 30, or 60-second WAV. Live playback loops six revolutions at the selected RPM and uses the beginning of your imported audio.
The tool requires no account and processes selected audio locally. Browser memory limits and supported audio formats vary. Ads and the Blogger platform have separate data practices.
Web Audio API · MDN · Caring for sound recordings · Library of Congress
Audio files and record settings are processed locally. This website uses Blogger and may show Google AdSense advertisements; those services may use cookies and process usage data under their own policies. You control audio playback. Use only audio you own or are licensed to process. Downloads are creative simulations, not restoration of the original recording.
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